After
an opening credit sequence set against the image of a spiderweb, the
film fades into a long street with towering Palm trees on both sides.
Ah, Southern California…er…right? A shot of a busy freeway
surrounded by hills follows and then we see a car pull up and park in
front of a building, the driver doing a lousy parallel parking job –
he leaves the guy behind him about six inches of space. He and a woman
exit the car.
Now
we see a group of young, attractive women who seem to be occupying a
waiting room of some kind. A close up of a plaque on a nearby door reads,
"Mike Blackwood – Private." The young ladies are discussing
Singapore and the possibility of venturing there for work. The couple
from the car arrive and the man takes a quick, assessing look at the
ladies before ducking into the nearby office. Inside, Mr. Blackwood
greets them and we learn their names. The man is Gary (believe me, you
WILL NOT forget it by the time this movie is over) and the woman is
his girlfriend Georgia. Gary quickly commandeers Mike’s desk while
the other two stand. It seems that Gary and Mike are putting together
a tour for a dancing group, with the first stop to be Singapore. All
the girls in the waiting room are here to audition for a spot in that
group. Without further ado, Gary calls for Georgia to let the girls
in one at a time.
So
the meat parade begins. The girls are brought in and scrutinized. Some
are asked to dance a small bit, others are asked to show their legs.
One even volunteers to strip down to a bikini. Gradually Gary selects
the girls by using silent signals to convey to Georgia what he likes
and doesn’t like – sitting back with both legs on the desk
means he doesn’t like the girl in question while crossing them
means he does. Throughout this whole affair, Gary leers lasciviously
at the girls while Georgia fixes him with one disgusted, mean look after
another. Eventually girls named May, Babs, Gladys, Doreen, Linda and
Nelly are chosen to accompany Gary and Georgia on the tour, which will
leave in ten days.
Some
stock footage of an airplane taking off is seen next. Amazingly, the
plane has two engines as it is lifting off and four once it is in flight!
I guess the other two were in the cargo compartment and were hauled
out by the crew once the flight was underway. Next up are some aerial
shots of New York City as the plane flies away on its trip. Wait a minute!
NEW YORK CITY?!! When the hell did NYC have streets lined with Palm
Trees or freeways that wind their way through hills? This must be an
alternate universe or something. Maybe in this universe this particular
film is considered good. Who knows? Anyway, numerous stock footage shots
ensue, including scenes of big rolling waves in the ocean. The pilot
announces that they are now over the Pacific Ocean near Honolulu. Okay…hold
the phone. Wouldn’t you announce that you’re "now"
over something at the exact minute you fly over it? How can you "now"
be over the Pacific near Hawaii? You just can’t instantly jump
from the West Coast to Hawaii. Is this a magic plane or is it just putting
Chuck Yeager to shame with how easily it is breaking the sound barrier
(and damn near the light barrier)?
  Now
comes one of the truly hilarious segments of the film. We see what is
supposed to be an air traffic controller monitoring his equipment when
he receives a distress call from the plane. The only problem is, this
air traffic controller seems to be sitting in the corner of a room all
by himself with what looks like a HAM radio on the desk before him.
I suppose there was some serious budget cutbacks at the Honolulu Airport
that year. The distress call from the plane states that one of their
engines has failed and the aircraft is losing altitude. Next we see
stock footage of a World War II bomber as it plummets earthward in a
near complete vertical dive, almost completely ablaze. This is what
the pilot calls losing altitude? I’d hate to be on board when
things really got bad! The air traffic controller loses contact with
the plane and then we see a close up of the girls as the plane makes
it fateful dive. THIS is truly pathetic, as it is plainly obvious to
anyone with functioning eyes that the shots of the girls were not filmed
on a plane. In fact, they don’t seem to have been filmed anywhere
except a big black void. All that can be seen behind the girls is sheer
blackness. The entire crash sequence is comprised mostly of these three
images: air traffic controller with a HAM radio, WWII stock footage
of a bomber crashing and girls in a void. Just repeat the sequence a
couple times to get the general idea.
Back
in New York, Mike Blackwood is on the phone with somebody and talking
about the disappearance of the plane. From his words we gather that
four days have now passed since the plane went down and the search for
survivors is still underway. Mike takes a couple stiff drinks as he
deals with it all and the scene fades out. Before long, the viewer will
be tempted to drown this movie experience in booze as well.
Now
we cut to the open ocean where the plane crash survivors are huddled
together on an inflatable raft. It appears that Gary, Georgia and all
the girls made it out alive. However, there does not seem to be any
indication that any of the flight crew survived. How convenient. Either
that or they are in another boat. Yeah right. So the group has been
floating around for four days now and the girls are beginning to go
nuts (well…even more nuts than usual). Some are engaged in a never-ending
sobbing contest while others beg for a small swallow from their meager
water supply. Gary is rationing their supply and will not let them have
anymore for the day. At one point a girl spots a bird, which means land
must be near and while everyone looks in hope, Babs grabs the water
container and takes a good long pull. Gary then tears it away from her
and slaps her. Finally, land is spotted and Gary exhorts everyone to
start paddling so they can make it to shore.
They
make landfall and quickly collapse from exhaustion, Gary having to help
each woman onto the rocky beach. And by "help," I mean that
in most cases he has to carry them from the raft to land. In some cases
he has to fish them out of the water where they have begun to slow from
being so tired. However, dumbass forgets to haul their raft onto land
and snuggles up next to Georgia as the entire group passes out.
The
next morning, Gary is up and about before the others and finds a source
of fresh water – a small waterfall. He calls to everyone and the
girls come running like there is shoe sale at Bloomingdales.
They throw themselves into the waterfall like dying fish and gulp down
as much as they can. Now refreshed, the group sets off to explore the
island. They gradually make their way through the thick bush, much bitching
and moaning accompanying their trek. At one point a girl finds a large
hammer. Showing it to Gary, he remarks that there must be somebody on
the island. Really, Sherlock? How do you know it wasn’t left behind
by someone who is now long gone? But wait, it gets better! Looking at
the overly long handle on the hammer, Sherlock Gary deduces that it
is for excavating some type of metal…most probably uranium. Quick!
Somebody hook this guy up with a 900 number! With a single look at a
single tool, he knows exactly what type of metal is being excavated.
Screw Miss Cleo, this guy is the real deal! Hey Gary, can you tell me
where I misplaced my wallet? Better yet, how about clueing us in on
where the plot for this movie went?
So
the group continues their inland trek and after a short while Gary spots
a cabin in a small glade. All excited, they run for the front door,
but their enthusiasm is soon dampened when they open it and find the
body of an older man hanging from the ceiling in an enormous spider
web. One girl nearly faints and the girls all run away from the cabin
as if the body is going to suddenly come to life and ambulate in their
direction. Meanwhile, Gary and Georgia check out the cabin more closely.
Gary removes the stiff (which looks like is hasn’t been dead for
very long – a day or two at most) and takes it away into the jungle
to bury it while all the girls except Georgia huddle in a group a distance
away. Soon, Georgia calls them all back and they return – blissfully
unaware how narrowly they just avoided the giant spider that was sitting
a few feet away from them in the trees.
Back
in the cabin Gary and Georgia are going through a diary left behind
by the dead guy. It seems the old guy was Professor Green, who was looking
for uranium deposits on this island (score one for Sherlock Gary) and
whose final journal entry spoke about his eerie feelings of his imminent
demise. A premonition that came true, evidently (is everyone in this
film a freakin’ psychic?). His notes also mentioned a weird hissing
sound emanating from the nearby jungle but the source was never known
to the Professor. Georgia is unnerved by it all and the two decide to
keep this information to themselves so as to not upset the girls.
Speaking
of the girls, some of them arrive at this point talking about how hungry
they are getting. Georgia has made something to eat (just where did
that body disappear to again?) and she remarks on how lucky it was that
they found some canned goods in the cabin. A couple girls remark on
how big the spider must be that spun the web holding the dead professor,
wondering how many may still be around. Then the rest of the girls arrive,
having found the professor’s trunk of clothing and making use
of what they find.
Next
we see Gary and Georgia taking inventory of the cabin’s supplies.
With careful rationing the food will last the group a month. One girl
wonders if they will really be there that long. Gary says that they
will have to climb to the island’s highest point and light a smoke
signal in hopes of attracting a passing ship. Elsewhere in the cabin,
two girls are nearing the catfight stage as they quarrel over a piece
of clothing. Gary breaks it up and confiscates the shirt, but the arguing
over clothes continues (why am I NOT surprised?). Indeed, the heat and
circumstances are taking their toll on everyone – some girls even
stripping down to their undies because of the former. Soon, Gary ushers
everyone off to bed and decides to go for a little walk, having found
the late professor’s revolver. Most of the girls drape themselves
out over the front porch for the night, oblivious to the threat of mosquitoes
and other insects (have I mentioned how these women are idiots?). Gary
doesn’t get too far before one girl throws herself at him and
they begin passionately kissing. This is interrupted by Georgia who
is quite naturally none too happy. Gary blames the weather, saying the
heat is making it to where he doesn’t know what he’s doing
anymore. Now, I have heard a lot of excuses in my day for all sorts
of things, including infidelity…but this has got to be the first
time a guy has blamed his wondering eye (and tongue…and lets leave
it at that) on the weather!! What would have happened if a tropical
storm blew in? It might not have been the only thing blowing!
So
Gary stomps off into the jungle with no shirt on while Georgia bitch-slaps
the girl who kissed her man. As Gary makes his way into the jungle (a
jungle BTW that doesn’t look the least bit tropical) a storm is
beginning to form. This is evident from the sounds of wind and thunder
dubbed over the scenes of Gary walking through the trees. We never see
the wind actually blowing against the trees, but we sure do hear it.
Intercut amongst the shots of Gary the jungle boy are close-ups of that
funky giant spider. While this thing may have eight legs, its head looks
more like that of an Eagle or Hawk, albeit without the feathers and
with giant black eyes. Finally, after numerous shots of Gary, the spider,
the horizon and what not, he decides to rest against a big hollow tree.
The scene of him leaning against the tree is an obvious day-for-night
shot, but when the close up of the Spider who inhabits the tree is shown,
it looks more like a cave-for-night shot. There is nothing to be seen
behind the spider other than an endless black void.
So
now the spider jumps and grabs Gary by the head and throat (the spider
is about the size of a large cat). There is a brief struggle, which
ends when Gary throws the beast to the ground and empties four shots
into it. Back at the cabin the girls have heard the shots and hope that
nothing has happened to Gary. However, Gary may have killed the spider,
but the critter was able to inflict some damage after all. He collapses,
holding the spot on his neck where the spider bit him. When he rolls
over, we see that he has changed – and not for the better. His
face is now covered with thick tufts of hair, his teeth have been sharpened
and one hand has turned into a claw-like appendage. If I didn’t
already know better, I’d say he was turning into a werewolf, as
there is very little that is spider-like about his new look. He recoils
at the sight of his hand, while back at the cabin the girls argue about
looking for him but cower in fear as the wind blows down their patio
cover. Wimps. Where is Sigourney Weaver when you need her?
Now
morning has arrived. Georgia splits the girls up into pairs and organizes
a search for the G-man, leaving Linda behind at the cabin to clean up
the mess. As the girls wander around aimlessly looking for him, we get
a few close-ups of Gary in his new transformed state and…you guessed
it, it looks like it was shot in the same void as the close-ups of the
spider and the girls in the crashing plane. Not one effort is made to
make the shot look like it is taking place in the same area, or at the
same time of day as the girls searching for him.
Now
comes the part of the film that will instill the name Gary into your
subconscious for all eternity. As the ladies wander about, they continually
call his name – over and over and over and over and over again.
Over a one minute period I counted nineteen times that "Gary!"
was hollered by some girl. AAAHH!! Make it stop! As they search for
Gary, one girl thinks she hears something and gets creeped out while
another has a very close encounter with Gary, but doesn’t realize
it. As she stands next to a large bush, Gary’s mutated hand reaches
out to touch her hair, but when she goes to leave she just sweeps her
hair back and moves on, oblivious to how close she was to him.
Back
at the cabin, Linda is traipsing around and not doing a lick of work,
more interested in her appearance in a compact mirror than anything
else. She saunters over to a nearby pond and reclines next to it, obviously
too absorbed in herself to bother pitching in. However, the lesson to
be learned here is that laziness begets death, as Spider-Gary
arrives and attacks her. She lets out a scream that can be heard by
the other girls. This really makes one wonder just how big the island
is and just how far they bothered to search for Gary if Linda’s
screams can be so easily heard. All the women come running, converging
on the pond where Linda is laying half submerged, and quite, quite dead.
What is funny to note is that in the close-up, Linda’s head is
plainly underwater, but in the long shot of the girls removing her body
from the pond, her head is clearly above the water line. Georgia comments
that Linda has been strangled while one of the girls notices two puncture
marks on Linda’s neck and alludes to death by a spider (naturally).
Night
has now fallen (boy that day went by quick) and Georgia is trying to
comfort Ann, who is crying up a river. Inside the cabin the rest of
the women are stressing out, wondering if they will ever get rescued.
Georgia is trying her best to keep things under control, but Babs is
being very rebellious. Harsh words are exchanged and a catfight breaks
out between her and Nelly. Naturally, during the course of this fight
clothes are torn and much female flesh is exposed. Things only come
to a dead stop when all the girls notice two claw-like hands reaching
through the window at Georgia’s back to caress her face. Georgia
screams and faints, while the hands vanish back outside. We get one
shot of Gary running away into the trees with his back toward the camera
before a fade-out.
Next
we see a large ship on the horizon. Atop some rocks, Ann and May are
trying their best to light and maintain a signal fire. They yell some,
but the ship proceeds on without stopping. All I can do at this point
is shake my head at their total and utter stupidity. They were supposed
to light the fire at the island’s highest point, so as to attract
attention with the smoke…but these two geniuses decides to build
the fire on some rocks overlooking the beach! No wonder the ship passed
by, the smoke could not be seen against the island’s profile.
Idiots!!!
So
they despair, thinking they will never get home and one of them mentions
that they have been on the island for twenty-eight long days and nights.
Ok…WTF??? Lets count the days the film has shown them on the island.
There was the first night they slept on the beach, so that is one night.
The next day they found the cabin, took stock of the supplies and then
Gary was bitten that night. So we’re up to two nights and one
day. The day after is when Linda was killed and that night was the catfight
between Babs and Nelly. So that brings us to three nights and two days.
Suddenly, we’re at the twenty-eight day mark? What happened to
the twenty-five days in between? You mean to say that no one has seen
Spider-Gary during those three and a half weeks? No
one else was attacked or killed by Spider-Gary? Just
what the hell has Spider-Gary been doing for all that
time? Maybe he found a way off the island! Either that or he’s
been hanging out with Gilligan and company on the far side of the island,
trying to get jiggy with it with Mary-Ann. Anyway, Georgia arrives to
bring the two back to the cabin and the three wonder what they will
soon do, as their food will run out in three days. I suppose the professor’s
and Linda’s bodies are too far gone at this point…
Now
we see a small boat being pulled ashore by two men, Bob and Joe. They
proceed to start unloading a large amount of supplies, which their conversation
makes clear is intended for the late Professor Green. It seems these
two jokers work for the late Professor and are responsible for supplying
him on the island. Joe goes off to search for the Professor while Bob
stays behind to finish unloading, which it seems is accomplished by
doing the opposite – getting loaded on booze. As he prepares to
take a swig from a bottle, he hears the laughter of females nearby.
He quickly runs off to investigate (who wouldn’t?). What he finds
is four of the girls in some rather skimpy attire swimming, splashing
and frolicking about in a shallow pool by the beach. As Gladys swims
by a rock outcropping, a hand reaches out and grabs her. She screams
and the other girls all take off, convinced that she is dead and they
are next. What loyalty and concern for a friend!
Elsewhere,
Georgia and two girls are walking around when they come across the hollow
tree where Gary was bitten by the spider. In fact, the dead spider is
still on the ground nearby. One must wonder what is preserving it after
twenty-six days or so. The three take a closer look and find the gun
that Gary had with him the night he vanished as well as his bracelet.
Then we get a close up of Spider-Gary in the Black
Void before returning to the girls. A hand reaches out from the hollow
tree to grasp one girl’s scarf, so Spider-Gary
must be hiding within. All I can say is, he must be pretty uncomfortable
in there. There is no room to lay down and he must have to sleep standing
up, unless like a TARDIS, the tree transcends dimensions and is bigger
within than without. The girls continue on, once again completely unaware
how close they were to Spider-Gary.
Down
by the beach, Gladys is with Bob, who was the one who plucked her from
the water a short time earlier. Twenty-eight days on the island is obviously
a long time to go without male companionship, as Gladys quickly succumbs
to Bob’s charms and the two start necking up a storm.
Inland,
the three terrified swimmers come across Georgia’s group and begin
blabbering about something happening to Gladys. Somebody suggests that
the spider did away with her (a giant, swimming spider I guess) and
Georgia relates the information on the dead spider they found along
with Gary’s gun and bracelet. Then a noise is heard in the brush
nearby and everyone freezes in fear…but it is only Joe, come to
see the Professor. Georgia corners him and marches him, at gunpoint,
into the cabin where they attempt to question him on Gladys’ whereabouts.
When they tell him where she was when she vanished, he seems to realize
what has happened.
Along
about now Gladys and Bob show up and the two men explain that they work
for Professor Green, while Georgia tells them that they are crash survivors.
The two men seem to know who they are, as the story of the American
dance troupe has been a worldwide story (slow news month I suppose).
The girls explain that the Professor is dead along with one of the other
girls and that their manager, Gary has vanished as well. Bob suggests
radioing their ship, which will return in two days to pick them up,
and let them know that the American dancers have been found. The girls
all jump around in excitement when they realize rescue is so close at
hand.
The
girls all talk about going back to New York (the one with hills and
Palm Trees) and radio contact is made with the ship. They will be picked
up the following day. In celebration, everyone decides that a party
is in order. Nevermind that two people are dead and a third is missing!
Lets have a party!! Idiots. The girls get themselves dressed up in their
"island costumes" which are nothing more that bikinis with
some local flora attached to them, stick more flowers in their hair
and cut loose in a dance-athon.
The
party is in full swing, Joe and Bob enjoying the company of so many
scantily clad young women. Ann manages to catch Joe’s eye and
he begins to dance with her. Bob, meanwhile continues to put the moves
on Gladys, who wants to be alone with him. They make plans to meet at
the lagoon in fifteen minutes. She heads off but Bob lingers a bit to
drink some more. Joe awkwardly tries to compliment Ann, but just comes
off as a dork. They exchange some sweet talk while Bob starts necking
with another girl while waiting for fifteen minutes to pass. Other girls
take an interest in Don-Bob and he begins strutting around like they’re
his personal harem. Pig. Bob moves from girl to girl, but Gladys has
spotted him sampling the entire buffet and sulks into the cabin where
she admits to Georgia that she loves him. WHAT? You just met the jerk
a few hours ago, and now you love him? I think her time on the island
and the loneliness it brought has created some severe psychological
problems and a deep need for an intimate relationship.
Everyone
continues to get hammered, while Bob and Babs enter the cabin for some
private time. He starts feeding her lines about being famous and ending
up in Hollywood. Outside Joe and Ann continue to grow closer, when Bob
and Babs emerge, the latter convincing Ann to walk off with her. The
two men share a drink and Joe tries to caution Bob on his womanizing
approach and demeanor towards the women. Bob replies with some chauvinistic
remarks about Ann and throws a drink in Joe’s face. They head
into the cabin for some privacy and begin to beat the crap out of each
other, reducing much of the cabin’s interior to kindling in the
process. Finally, they begin laughing hysterically and just stop fighting,
Bob running off for his rendezvous with Gladys and Joe off to see Ann.
Note
- It is at this point that the movie enters its final segment, so if
any of you really feel the need to watch this film and not know the
ending ahead of time, skip the rest of this section.
So
Bob gets to the meeting place first, and sits down against a tree to
wait for Gladys. She arrives a few minutes later to find Bob quite dead,
odd marks on his neck. Spider-Gary decides to reveal
his presence and Gladys lets out with a scream that can be heard all
the way back at the cabin…and given how far the film shows she
had to walk for her rendezvous with Bob, that is quite an impressive
feat. Joe and the others go running to investigate while Gladys flees
from Spider-Gary.
Now
we are subjected to a series of scenes and shots that show Gladys running
from Spider-Gary, climbing a cliff to get away. In
all of these shots, the Spider-Gary character is never
shown from the front and it is painfully obvious that the actor is not
wearing any of the Spider make-up…instead he is just running around
with no shirt on. Finally, Spider-Gary catches up to
Gladys on the cliff top and the poor girl plummets to her death. We
also get a close-up of Spider-Gary that actually has
trees in the background! Trees and not that black void!
Joe
finds Bob’s dead body (quite dark outside) and on his way back
to the cabin (light again) is accosted by Spider-Gary.
Again all the location shots show Spider-Gary with
no visible make-up, but the close-ups show the same trees in the background
– proof that these shots were filmed at different times and at
different locations. Joe and Spider-Gary fight some
before Joe is able to escape. Back at the cabin he tells Georgia that
Bob as well as Gladys are ready for a job pushing up daisies. Then Spider-Gary
arrives and breaks his way into the dark cabin. As he makes his way
to a cowering Georgia, she recognizes him. Some humanity must remain
in him, as he then turns away from her only to be confronted by Joe.
The two face off again in the cabin and it looks like curtains for Joe,
that is until Georgia lights a flare and drives off Spider-Gary.
This
gives Joe an idea, and armed with flares, he and the remaining girls
head off into the woods to hunt down Spider-Gary, who
is obviously afraid of fire. Some long chase scenes ensue as they find
him and pursue him over half the damn island, accompanied by some "hip"
chase music. They eventually drive Spider-Gary into
a large flat area near the coast that is filled with quicksand. Spider-Gary
is soon trapped and slowly sinks to his death.
Then
we see a shot of a boat leaving the lagoon. Another shot shows us Joe
and the surviving women on deck, looking back at the island. Then POW,
the movie is over. No "The End," no end credits…just
bang, back to the DVD menu. Like a slap in the face, the viewer is jolted
back to reality. This only occurs with the Alpha Video version of the
film. The Something Weird release, besides being a much better print
of the film, contains the actual final shot of the boat (as seen from
the island) with the words The End superimposed over it.
The End.
Review
I
have this sneaking suspicion that since the dawn of the technological
age, the first application for each new medium that has come along is
pornography. I’m sure the printing press was no sooner invented
than naughty drawings were circulated to the depraved masses demanding
such fare. The camera was probably barely out of the testing phase when
some nit thought that aiming one at a naked woman would make for some
jolly times. Hell, porn (and Star Trek) practically built the
internet as we know it – despite Al Gore’s contributions.
So, it comes as no surprise that motion pictures focusing on naked,
or nearly naked women was in no way something new in the 1950's.
Of
course, the age when films could focus solely on sex and skin to the
exclusion of all else was still a few years away, so producers had to
get creative in their endeavors so as to make their product somewhat
more acceptable. Horrors of Spider Island is one such film.
Shot in black and white in Germany in the 1950's, it was originally
released in the United States as It’s Hot in Paradise
in 1962 and played the grindhouse theater circuit, thinly disguised
as a horror film. Reissued in 1965 as Horrors of Spider Island,
it had it’s nudity edited out and marketed more as a straight
horror movie, now cut down from it’s original 84 minutes to a
75 minute running time. Despite the passage of years and the changing
of societal mores, it still cannot avoid being seen as the exploitation
film that it is, and coupled with it’s ultra cheezy monster themes,
sits as one of the forgotten "B" movie treasures of a bygone
era.
Oh.
My. God. I don’t even know where to begin. From the poor black
and white photography, horrendous dubbing job, low-grade production
values, completely idiotic characters, stock footage padding, Z grade
monster FX and sheer cheesecake factor, this movie is seemingly loaded
with all the proper ingredients for a true cinematic train wreck. Yet,
for some truly inexplicable reason, I found it not only watchable but
strangely, and dare I say disturbingly, enthralling as it unfolded.
It
isn’t just the sight of all that female flesh on parade. Sure,
a couple of the girls are curvy and cute…but I didn’t really
find too many of them that attractive to look at. I can think
of more recent films that were much better in that category.
And Babs! Look out! That woman is almost Amazonesque. In some shots
she looks beefier than Gary! I could almost hear the cabin creaking
and shaking in despair as she clomped around inside. Don’t get
me wrong, I like a woman with meat on her bones, but this woman looked
at times like she ate the flight crew. A few more days on the island
and Spider-Gary might not have been the only one hunting
down the others.
The
strange appeal of this movie certainly isn’t because of the monster,
either. Spider-Gary has got to be one of the silliest
monsters, in both execution and origin, to ever grace the silver screen.
He is bitten by a strange, over sized spider and he turns into…the
dogface boy? I swear the finished product reminded me of those portraits
of inbred royalty a few centuries back that were covered in hair from
head to toe. It certainly didn’t remind me of a spider! He didn’t
even climb walls, sprout extra limbs or shoot webs out of his ass. Plus,
the overall rampage he went on was about as thrilling and scary as the
speed bumps in your local strip mall parking lot. The taglines and promotion
for the film really made it out that once transformed, Gary became a
veritable killing machine. Well, what kind of killing machine takes
a three and a half-week break between kills? That is not a rampage,
that’s just an annoyance.
That
interest generated by this film sure as hell ain’t because of
a riveting story with earnest characters. Most of the girls seem like
carbon copies of one another and the "plot" is as about as
exciting as an afternoon at the Department of Motor Vehicles. All the
women, with the exception of Georgia, are portrayed as weak, incompetent,
mostly useless and utterly unprepared to survive, while the film makes
it clear that all the male characters are the leaders, saviors and clearheaded
thinkers. The only problem, those guys are still morons. Gary walks
off by himself and gets bitten. Idiot. Bob, knowing full well that there
is something dangerous on the island responsible for at least two deaths,
be it man or beast, still walks off alone so he can have a private tryst
with Gladys. Super idiot! Joe is the only guy with some semblance of
a brain, and naturally the film plays him up as being somewhat inexperienced
with the ladies.
While
we’re at it, let’s talk about production values…or
the complete lack thereof. This film just looks terrible. I don’t
know if it is because the film print has not aged very well over the
last forty years, or if it is because the director and cinematographer
should have been lined up and shot for incompetence. There are scenes
that are entirely too dark, even in the infamous day-for-night shots
used in times past. Other shots are almost blindingly bright. Just take
a look at some of the various screen caps on this page to see what I
mean. I tried my best to adjust the brightness levels on them all, but
there are a few that just stick out like a sore thumb. Continuity was
a word that was evidently not in the vocabulary of the producers. A
twin engine plane later has four engines, a dead woman is at first under
then above the water level of a pond and the sun seems to rise and set
at the drop of a hat in some sequences. However, by far the worst continuity
error is the Spider-Gary make-up. It is apparent that
all the close-ups of Spider-Gary were shot separately.
This is evidenced by the fact that in nearly all of them, he is standing
in a black void, as if shot in a dark studio. Still, in these close-ups
his entire transformation can be seen – fur covered face, dagger-like
teeth, hairy hands and long fingernails. Yet in all the location shots,
it is obvious that the actor is only wearing the hairy hands and claws.
His head appears as normal as ever. True, this was hidden somewhat by
the shitty lighting and use of shadows, but it could still be spotted.
Since
this was a Yugoslavian/West German production, when the film made its
way to American shores, it had to be dubbed into English. Now can anyone
truly say that they have seen a film with a good dubbing job? Be honest!
Sure, some films are better than others, but depending on the original
language with which the film was shot, and how it differs from English,
dub jobs can get pretty bad. This one is NO exception. At times it is
just ok, while at others it is horribly bad. Some of the girl’s
voices are just so bland that one wonders if the same woman provided
the voices for all of them.
Still,
despite these setbacks, there is an overall sense of unbelievable awe
at the hokiness of it all that transcends the crappy building blocks
and elevates the film, just ever so barely, to the level of "fun"
bad movie making. In much the same way people stare morbidly at a train
or auto accident, this movie compels the viewer to keep watching, if
only to see where the wreck is going to finally stop.
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